The Courtesan. You have a job that brings comfort to people and eases their burdens. It took years of training and dedication to perfect. So why do people keep calling you a whore? You tried to get away from those people, but something keeps bringing you back.
Supposedly, if you see the dancer turning clockwise, then you use more of the right side of the brain and vice versa. According to the makers, most people see the dancer turning counter-clockwise.
Arabia Adorned performs a theatrical Libyan Hagallah, movements were researched by Dafne who grew up in Libya and also through attending a workshop with Morocco of New York. Authentic choreography by Dafne Canales Lees http://www.bellydance.ca
Fifi performs to Habibi Ya Eini. (In this 1992 show Al Sittat or El Setat she spoofs the whole sedcuction thing. Ignore the pink spandex - the dancing is worth it...) Fantastic clip for studying her technique particularly her signature jewels and alternating shimmy.
Review: Arabian Spices – A tribal fusion choreography by Sahira
A fantastic tribal fusion instructional DVD - highly recommended. Overall rating: 5 stars. Format NTSC DVD.
The music is Arabian Spices by DJ Kambo. This choreography DVD is suitable for intermediate to advanced dancers - base moves are not broken down which might be challenging for newer dancers. The piece is 4 1/2 minutes long. The running time of the DVD is 80 minutes.
Sahira breaks the choreography into eleven combinations. Combinations include: Modified prayer; Soho combo; Modified bolero walk; urban tribal combo; Onda combo and Propeller turn. The instruction is very well organized. Each combination is demonstrated and broken down slowly into its component parts. The combinations are then repeated at tempo. The structure makes it very easy to learn the choreography. At the end of each grouping, she leads a review of the combination, to ensure you won't forget what you have already learned. After teaching the combinations, the video offers two practice sessions to review and drill them. The first practice session is an instructional review where Sahira talks you through the full choreography, the second drills the choreography to music.
The difficulty of the combinations varies. Some are reasonably simple and should be comfortable for an advanced beginner who has already learned the elementary moves such as hip lifts and circles. Others are at a somewhat more challenging intermediate level. So a buyer won't outgrow this video right away.
Sahira teaches in a choli, leggings and a tassel belt making it easy to see every movement. Her teaching is relaxed, clear and approachable. She explains each combination very well and gives some background on where it came from.
The production quality is excellent. The sound quality is clear, and it's always easy to hear Sahira’s explanations. The image is well lit and sharply in focus. The DVD is filmed with Sahira facing into a mirror so that you learn the movements from behind as you would in class. The menus, chaptering and navigation are excellent.
The DVD ends with a performance by the Urban Gypsy troupe – Sahira, Zymirrah and Julie. The DVD is worth every penny for this performance alone. Stunning! A really mesmerising performance! It really encapsulates the spirit of the tribal movement for me.
This choreography has been extremely well received by the dance community and there are a numbr of clips on Youtube showing dancers performing it.
Shimmy - don't walk - to purchase this one for your collection!
You can find out more or find links to purchase this DVD through Sahira’s website: Sahira
(I've never met Sahira and I receive nothing for this review.)
I'm posting this on behalf of Sue of the Yahoo Bellydance Video group. She is setting up a memorial fund:
"Reema Samaha was a lovely young Lebanese-American student at Virginia Tech. She was also a middle eastern dancer. The last time her family saw her was the day before her death, dancing with her troupe at multi-cultural event.
After seeing interviews with both her father and brother and hearing them both say how much she loved to dance, I felt that there was something that the middle eastern dance community could do in Reema’s memory. So I contacted the Virginia Tech Foundation to find out how to set up a memorial fund.
THE REEMA JOSEPH SAMAHA MIDDLE EASTERN DANCE MEMORIAL FUND will be used to assist the student-members of the Middle Eastern Dance Association of Virginia Tech. Depending on the amount donated, the fund may be used for a one time gift in Reema’s name or for an annual award, perhaps a small scholarship.
Here is how to make a donation by check:
Make check payable (in any amount) to Virginia Tech Foundation, Inc. Mail to:
University Development 902 Prices Fork Road Blacksburg, VA 24061
Be sure to either write on the check or in a cover note that the donation is for the REEMA JOSEPH SAMAHA MIDDLE EASTERN DANCE MEMORIAL FUND.
An online donation option for this fund is being set up and I will report on that as soon as I have a URL to go to."
Once Sue sends me the online donation details I will post them.
Joint debke performance by Palestinian Awareness at Virginia Tech [PAVT] & the Cedars of Lebanon at the International Street Fair on April 15, 2007. The lovely girl in green is Reema Samaha. We have lost a sister in dance. Our hearts go out to all those touched by the shootings at Virgina Tech.
Want to make a real difference? Help hungry families feed themselves.
Heifer International's Mission to End Hunger Heifer works to end hunger and poverty, and care for the earth by providing appropriate livestock, training and related services to small-scale farmers and communities worldwide. They care for the earth's natural resources through training in livestock management, pasture improvement, soil conservation, forestation and recast. Their cornerstone of "passing on the gift," assures that each participant in the program becomes a donor and gives the animal's offspring to another family in need. This concept helps build community and enhances dignity and participation in each project. The families continually give to others ensuring self-sufficiency, one family at a time. They have field offices in major program areas around the world. They work at the grassroots level, sometimes with large networks of local nongovernmental and grassroots organizations. The field staff is equipped with a variety of skills that help project participants prepare for the challenges and problems they encounter by providing training prior to receiving any animal gift.
This simple idea of giving families a source of food rather than short-term relief caught on and has continued for over 60 years. Today, millions of families in 128 countries have been given the gifts of self-reliance and hope.
Take the Danseurs Sans Frontières / Dancers Without Borders Challenge. For one week...
1. Each and every time you think about buying something... ask yourself if it is a need (food, water, shelter, medicine or safety) or a want. Be honest. Café lattes are not necessary. Costumes are not necessary. A new CD? A hipscarf? Fabulous pair of new jeans? Eating out? A haircut? Earings? A book?
Search yourself and ask, do I need this, or would the money be better spent on someone whose life hangs in the balance?
2. At the end of the week (or sooner...if you don't need that much time to think about it) donate the amount of money that you didn't need to Médecins Sans Frontières (MSF).
MSF is a medical relief organization dedicated to bringing help to people in the worst circumstances in the world. MSF goes where other relief organizations will not. Where circumstances are the most dangerous, the most desperate and the most hopeless... you will find Médecins Sans Frontières. MSF is transparent and neutral without any political or religious affiliations, and does not accept donations from Pharmaceutical companies or companies that make Tobacco or Alcohol. Part of their job is to witness and report violations of human rights and dignity. MSF helps all persons who need them, regardless of their race, religion, politics or gender. MSF won the Nobel Peace Prize in 1999.
Rahana in her solo performance of the 2005 production, Yalla Habibi. passion in the dance. Rahana is dancing to a beautiful song named Hak el Layali (Those Nights) from Najwa Karam's 2003 album Saharni.
Famous for becoming the music made visible - the most musical of all dancers, and perhaps the most highly regarded by Egyptians. Souhair is famous for her classy performances and her deeply felt emotional inerpretations of the music. She is a dancer's dancer - very sutble - you don't realise the difficulty of her steps until you have danced for a while. She was the first dancer to ever use Um Kalthoum's music. She is famous for being able to reduce her audience to tears of joy and ecstasy or "tarab".
Samia Gamal (Arabic: سامية جمال), birth name: Zaynab Ibrahim Mahfuz), (1924-December 1, 1994) was a famous Egyptian belly dancer and film actress. Born in the Egyptian town of Wana in 1924, Samia's family moved just months later to Cairo and settled near the Khan El-Khalili bazaar.
Samia Gamal met Badia Masabni, the founder of modern Oriental Dance who invited her to join her dance company. Badia Masabni gave her the stage name Samia Gamal.
At first, she studied under Badia and Badia's star dancer at the time, Tahiya Karioka. However she soon became a respected soloist developing her own style, incorporating techniques from ballet and Latin dance into her solo performances.
She was also one of the first to perform with high-heeled shoes on stage. She starred in many Egyptian films next to the famous Farid Al Attrach with whom she was romatically linked. It is claimed that because of Farid's social position, he refused to marry Samia. Being a Druze prince it would bring too much shame to his family for him to marry a belly dancer. In 1949, Egypt's King Farouk proclaimed Samia Gamal "The National Dancer of Egypt", which brought US attention to the dancer.
Samia Gamal stopped dancing in 1972 when she was nearly in her 50s but began again after given advice by Samir Sabri. She then danced until the early 1980s. Samia Gamal died on December 1, 1994, at 70 years of age in Cairo, Egypt.
Farid Al Atrache with Layla Aljazayriya (?) singing Noura.
Farid El Atrache (October 19, 1915 - December 26, 1974) (Arabic: فريد الأطرش) was a Syrian composer, singer, virtuoso oud player, and actor. He is one of the most important names of twentieth century Arab music. He starred in 31 Egyptian musical films from 1941 - 1974.
Over his lifetime, Farid he recorded approximately 350 songs. He composed music for such famous singers as Wadih El-Safi, Shadia, Warda, and Sabah. Some of the most famous songs include "Rabeeh", "Awal Hamsa", "Hekayat Gharami", "Albi Wa Moftaho", "Gamil Gamal", "Wayak", "Ya Zahratan Fi Khayali", "Busat Ir Rih", "Ya Gamil Ya Gamil", "Ya Habaybi Ya Ghaybeen", "Eish Inta". He is considered by many Arab musicians as the best oud player of all time. His songs are still used in many belly dance routines today. His voice and emotional singing style was unique. Farid is still one of the most imitated singers in Arabic music. Throughout his singing career, he was admired for his vocal range and singing ability. Many of his songs, and nearly all of his concerts, Farid would sing a mawal, or voice improvisation of a few poetic lines. These improvisations sometimes lasted up to 35 minutes. The mawal was a favorite of his fans, as his musical creativity and vocal ability were on highest display. His music is famous for it's quality of "Tarab" or ecstasy, and isloved by dancers for that reason.
His last movie, Nagham Fi Hayati, was released after his death. All his films except the last two were black and white. They ranged from comedies to dramas. Farid composed all the songs in his movies, including the songs sung by other singers, and instrumentals. Some of Farid's famous movies include Intisar al-Shabab, Yom Bila Ghad, Ahd el-Hawa, and Lahn al-Kholoud.
His sister Asmahan, also a famous singer, died at a very young age. He was romantically linked with the famous dancer Samia Gamal with whom he starred in at least five films.
Tahiya Karioka (aka Carioca) - 1915 to 1999 - was one of the most famous early dance stars, performing in movies with Mohammad Abd el Wahab and Farid Al Atrache. Tahiya became famous for performing a style of Brazillian Samba (Carioca) in the 1930s at Badia Massabni's Casino. It is claimed that Tahiya had 14 husbands.
One of the most famous dancers of all time. Stunning. Naima Akef (Arabic:نعيمة عاكف) born on 7 October 1929 was a famous Egyptian dancer during the Egyptian cinemas golden age and starred in many films of the time. Naima Akef was born in Tanta on the Nile Delta. Her parents were acrobats in the Akef Circus (run by Naima’s grandfather), which was one of the most well-known circuses at the time. She started performing in the circus at the age of four, and quickly became one of the most popular acts with her acrobatic skills. Her family was based in the Bab el Khalq district of Cairo, but they traveled far and wide in order to perform.
Tamra Henna (1957 - also spelt Tamr Henna) is an enduring Egyptian classic that features many prominent names from that era. Rushdy Abaaza was one of the most popular and accomplished actors of his time. It is the story of a young Ghaziya (an Egyptian Sintii Gypsy) who want's the finer things in life. She dances at the mawlids( a saint's day celebration in Egypt which is part of the Shi'ite tradition) near her betrothed's fair booth which is a strength testing booth. There is one man who seems to threaten his relationship with Tamra Henna - he is the rich son of a wealthy family and is engaged to his rich cousin because his father wishes to gain more wealth and land. However the son does not wish to marry his cousin for he has fallen in love with Tamr Henna.
His wealth attracts Tamra Henna's attention and eventually she pretends to be a wealthy niece of a friend of the son's family. She charms the father so much that he decides to seek her hand in marriage so that his son and him will both marry wealthy women and greatly increase their wealth and status. However things go wrong and in the end Tamra Henna realizes she does not need the wealth and was better of as a poor Ghaziya. A must see!
Sahra Saeeda's performance series has a truely wonderful interpretation of Tamra Henna and lot's of explaination about the move. http://www.sahrasaeeda.com/layaliyasmine/index.html
See Shira's site for lyrics: http://www.shira.net/lyrics/ya-tamrahenna.htm.
I highly recommend watching the original movie! In some ways is is similar to Romeo and Juliette.
Follow this link: http://www.youtube.com/watch?v=h8jYVLDTVKI to see a truely lovely performance by Dana Amar. Raqia Hassan is one of my favourite choreographers.
Welcome to my blog which focuses on Middle Eastern Dance.
Information about my Canberra Middle Eastern Dance classes is available at: http://www.souhair.com/
The aim of this blog is to provide serious students of middle eastern dance with the opportunity to see musicians, dance styles and dancers that they would not otherwise be able to see.
I'd like to be able to provide more information on styles and performers. Let me know if you'd like to submit an article or video.
On this website I have posted a number of embedded videos from Youtube. If I have linked to a video which you own copyright in and which you are not happy about my linking to, let me know - I will happily remove it.
NB. I have not uploaded any content - just linked to Youtube. If the video should NOT be on the internet please contact Youtube directly and follow their proceedures for having it removed.
I've been a dancer for 14 years and a yogini for 19. I live in Australia with 2 maine coon cats, my husband and son.
Check out my website: www.souhair.com